The Daytons’ interest in collecting art began in 1916 when they received the painting Munich Landscape, by Ross Sterling Turner, as a wedding present. The couple, both natives of Philippi, West Virginia, began seriously building their collection while living in Charleston, West Virginia, from 1923-1948. They purchased art from galleries and, over the years, cultivated a special relationship with MacBeth Gallery in New York City. They also bought from auctions, from prestigious exhibitions such as the Carnegie International, and purchased works directly from the studios of artists they admired – in the United States and abroad. They kept detailed records of where and when each object was acquired.
The Daytons were students of art history, especially 19th and 20th century American art. They shared a love of landscapes and were particularly interested in the work of academically trained artists working in the various schools of realism and American Impressionism. Their collection grew to include masterpieces by Childe Hassam, J. Alden Weir, Emil Carlsen, John Twachtman, Willard Metcalf, Frank Benson, Charles Davis, and works by “The Eight.” Early American modernists and the ideals expressed by those artworks were of little interest.
In 1929, Ruth purchased from MacBeth Gallery an etching titled Calvary Church in Snow by Childe Hassam and gave it to Arthur as a Christmas gift. Thus began a rich collection of engravings, etchings, and lithographs by American and European printmakers. The Daytons also had a penchant for small bronzes, especially by women artists working in the late 19th and early 20th centuries, including Grace Helen Talbot, Harriet Frishmuth, Anna Hyatt Huntington, and Edith Parsons. A small collection of Lacy period glass was also part of the collection.
In 1948, Arthur Dayton died suddenly at the age of sixty-one. Wishing to share the collection with the public, Ruth Dayton turned a building on the property adjacent to their home in Lewisburg, West Virginia, into a museum. She called it The Daywood Gallery, combining Arthur’s surname (Dayton) and her maiden name (Woods). The collection continued to grow through purchases and donations, and The Daywood Gallery remained in operation from 1951 into 1966.
The Daywood Collection was donated to the Huntington Museum of Art in 1967 where it is the crown jewel in the Museum’s permanent collection. When Ruth Dayton gave the collection to the Museum, she expressed great personal satisfaction in knowing that it was going to be cared for and properly displayed, remarking that “the Daywood Collection will always have a home in West Virginia and will continue, through the years, to bring pleasure to art lovers in the State as well as to visitors from throughout the nation.”
This exhibit is presented with support from the City of Huntington Mayor’s Council for the Arts.
This exhibit is presented with support from The Isabelle Gwynn and Robert Daine Exhibition Endowment.
This program is presented with financial assistance from the West Virginia Department of Arts, Culture and History, and the National Endowment for the Arts, with approval from the West Virginia Commission on the Arts.
This exhibit is presented with support from the City of Huntington Mayor’s Council for the Arts.
This exhibit is presented with support from The Isabelle Gwynn and Robert Daine Exhibition Endowment.
This program is presented with financial assistance from the West Virginia Department of Arts, Culture and History, and the National Endowment for the Arts, with approval from the West Virginia Commission on the Arts.
In His Nature: Botanical Prints from the Collection of Dr. Marion C. Korstanje is co-curated with Josh Hamrick, Director of the C. Fred Edward’s Conservatory at the Huntington Museum of Art. From the prodigious collection of more than 250 artworks given to the Museum by the late Dr. Korstanje, 40 botanical prints have been thoughtfully selected for their aesthetic beauty and their contributions to greater scientific understanding of our world. Many of these illustrations relate to plant species found in the Conservatory or on the Museum’s hiking trails, thereby making connections between person and place, observation and perception, artmaking and scientific inquiry.
In Memory of Dr. Marion C. Korstanje by the Korstanje Family: Barbara Korstanje Loftus; William and Judi Korstanje; Doug and Susan Korstanje; and David and Judy Korstanje.
This exhibit is presented with support from the City of Huntington Mayor’s Council for the Arts.
This exhibit is presented with support from The Isabelle Gwynn and Robert Daine Exhibition Endowment.
This program is presented with financial assistance from the West Virginia Department of Arts, Culture and History, and the National Endowment for the Arts, with approval from the West Virginia Commission on the Arts.
This exhibit will be in the spotlight as a 4th Tuesday Tour Event on September 24, 2024.
Artist and educator Paul M. Levy was born in Brooklyn, New York, in 1944. Levy earned a BA in industrial design from the University of Cincinnati in 1968 and an MFA in printmaking and sculpture from Ohio University in 1973. He worked for design firms in Ohio, New York, and California from 1964-1971 and taught at the University of Cincinnati and Ohio University from 1971-1973.
Levy came of age during a particularly tumultuous and transformational time in American history. His popular print series titled Bill of Rights, created from 1970-1974, was sparked by American politics in the era of the Vietnam War (1955-1975). He witnessed during this period an erosion of the individual liberties and limits to government power enshrined in those first ten amendments to the United States Constitution. He also observed attempts by all sides in this divisive conflict to harness the symbolism of the American flag for political purposes.
Together, the 15 silkscreen prints in Bill of Rights are a graphic statement of Levy’s personal convictions as an artist and an engaged citizen. With fresh perspective and clever manipulation of the formal elements of the American flag, he calls attention to the importance of each amendment in this founding document – though two amendments, the first and the fifth, inspired more than one design. Last exhibited as a group in 2008, these prints were given to the Museum by The Huntington Publishing Company in 1975.
The following individuals and businesses have presented individual works in this exhibit: Freedom Gun and Pawn; Glazer Saad Anderson L.C.; The Herald-Dispatch; Bert and Lori Thabet Ketchum; Holly Smith Mount; Sarah Walling; Jennifer Wheeler In Memory of Rabbi David Wucher and In Honor of the Congregation of B’Nai Shalom; and Steve Williams.
This exhibit is presented with support from the City of Huntington Mayor’s Council for the Arts.
This exhibit is presented with support from The Isabelle Gwynn and Robert Daine Exhibition Endowment.
This program is presented with financial assistance from the West Virginia Department of Arts, Culture and History, and the National Endowment for the Arts, with approval from the West Virginia Commission on the Arts.
This exhibit features a selection of paintings and sculpture from The Daywood Collection, which is part of HMA’s permanent collection.
Between 1916 and 1965, Arthur Spencer Dayton (1887-1948) and Ruth Woods Dayton (1894-1978) thoughtfully developed an exceptional collection of American and European paintings, prints, sculpture, and decorative arts. The Daytons’ interest in collecting art began in 1916 when they received the painting Munich Landscape, by Ross Sterling Turner, as a wedding present. The couple, both natives of Philippi, West Virginia, began seriously building their collection while living in Charleston, West Virginia, from 1923-1948. They purchased art from galleries and, over the years, cultivated a special relationship with MacBeth Gallery in New York City. They also bought from auctions, from prestigious exhibitions such as the Carnegie International, and purchased works directly from the studios of artists they admired – in the United States and abroad. They kept detailed records of where and when each object was acquired.
The Daytons were students of art history, especially 19th and 20th century American art. They shared a love of landscapes and were particularly interested in the work of academically trained artists working in the various schools of realism and American Impressionism. Their collection grew to include masterpieces by Childe Hassam, J. Alden Weir, Emil Carlsen, John Twachtman, Willard Metcalf, Frank Benson, Charles Davis, and works by “The Eight.” Early American modernists and the ideals expressed by those artworks were of little interest.
In 1929, Ruth purchased from MacBeth Gallery an etching titled Calvary Church in Snow by Childe Hassam and gave it to Arthur as a Christmas gift. Thus began a rich collection of engravings, etchings, and lithographs by American and European printmakers. The Daytons also had a penchant for small bronzes, especially by women artists working in the late 19th and early 20th centuries, including Grace Helen Talbot, Harriet Frishmuth, Anna Hyatt Huntington, and Edith Parsons. A small collection of Lacy period glass was also part of the collection.
In 1948, Arthur Dayton died suddenly at the age of sixty-one. Wishing to share the collection with the public, Ruth Dayton turned a building on the property adjacent to their home in Lewisburg, West Virginia, into a museum. She called it The Daywood Gallery, combining Arthur’s surname (Dayton) and her maiden name (Woods). The collection continued to grow through purchases and donations, and The Daywood Gallery remained in operation from 1951 into 1966.
The Daywood Collection was donated to the Huntington Museum of Art in 1967 where it is the crown jewel in the Museum’s permanent collection. When Ruth Dayton gave the collection to the Museum, she expressed great personal satisfaction in knowing that it was going to be cared for and properly displayed, remarking that “the Daywood Collection will always have a home in West Virginia and will continue, through the years, to bring pleasure to art lovers in the State as well as to visitors from throughout the nation.”
This exhibit is presented with support from the City of Huntington Mayor’s Council for the Arts.
This exhibit is presented with support from The Isabelle Gwynn and Robert Daine Exhibition Endowment.
This program is presented with financial assistance from the West Virginia Department of Arts, Culture and History, and the National Endowment for the Arts, with approval from the West Virginia Commission on the Arts.